Which grandMA3 suits your production?
Almost every inquiry starts with the same question: is the smaller option enough, or do we need the larger one? Four control surfaces cover four applications, all using the same software. A show file can move between them without rebuilding the show.
The grandMA3 full-size is built for large fixture counts and complex workflows: festival main stages, arena tours and television productions. When you need many executors at your fingertips, the larger control surface makes an immediate difference.
The grandMA3 light offers almost the same functionality with a significantly smaller transport footprint. For touring, theaters and venues, it is often the more practical choice — not because it does less, but because it takes up less space in transit.
The grandMA3 compact covers small and medium-sized productions. Another often overlooked role is as a technical desk alongside the main console, so routine focusing does not interrupt the programmer.
The onPC Command Wing Tourpack is not a standalone console, but a control surface for grandMA3 software running on your computer. It lets you program before the rig is built.
When do you need a Processing Unit L? When the parameter count grows. It is the total number of parameters, rather than the fixture count alone, that matters: modern moving lights can easily use hundreds per fixture.